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    Ahhh. Travel. One of my favorite things about going away is meeting up with old—and new—friends and seeing how the other half of the world lives. And of how different spots in the world look! I am well aware that my own little place on top of this Connecticut ridge of ours would be unimaginable to much of the world, particularly if one were not familiar with the
    According to USFDA, a combination product is one composed of any combination of a drug and device; biological product and device; drug and biological product
    topography of New England…or with much of America for that matter. When I traveled to Florida last week for spring break, I felt somewhat out of my element; indeed, had it not been for the two years we spent living in Miami, I would have felt like I landed on another planet. Its juxtaposition to the northeast could not have been sharper. What with the dreary weat
    ; or drug, device, and biological product and fixed dose combination would include two or more combinations of drug.

    Examples of combination products may in
    er we’ve experienced for gadzooks, what seems like an eternity and the complete void of greenery and pops of fresh sprouts, waking up to sunshine, warmth and brightly-colored flowers was nothing short of glorious. It didn’t hurt, either, that my “second mom” (with whom I stayed) spoiled me half-rotten, with al fresco lunches on her patio, extravagant treats at l
    lude drug-coated devices, drugs packaged with delivery devices in medical kits, and drugs and devices packaged separately but intended to be used together.

    cal eateries, dinners at candlelit tables overlooking the bay, late night chats over dark chocolate, and late morning coffee, served piping hot on that proverbial silver platter.

    While in Naples, I had the wonderful fortune of sharing lunch one afternoon with my “mom’s” best friends…and the delightful luck of being seated next to one of my favorite people in the
    here is enormous increase in the number of combination products entering the market in the recent years. Combination products have proven advantages but fixe
    world. Artist extraordinaire, world traveler and the author of three books, Very California, Very Charleston and Very New Orleans, she is, needless to say, Very Talented.

    I first met Diana Gessler about five years ago when her first book debuted and she did a signing at a private home in Naples. A good friend of my second mom, I became instantly attracted to he
    d dose combinations are still in the process of convincing regulatory authority on their advantages over the single ingredient formulations.

    Combination pro
    . She radiates warmth, sincerity and, of course, talent out the whazoo. We toured the gallery which represents her work and talked about her book project, which propelled her to super-stardom seemingly over night.

    But we know that overnight sensations are illusions. And Diana is no exception. Her story is quite remarkable and, as it is loaded with some great lif
    ucts have become life saving products for the pharmaceutical companies who doesn’t have many innovative molecules in their product pipeline and have been inc
    lessons, I feel especially inclined to share it with you.

    Her parents recognized her artistic talents very early on, and they promptly equipped her by providing her with the best instruction that they could both find and afford. She studied intensely for years, working both in the fine and in the graphic arts. She is now best-known for her watercolor landscapes
    easingly used in the product life cycle management. Even the companies having product patents are trying to extend their product life cycle through the combi
    and renderings of historic or architecturally-interesting homes and buildings, all of which command truly respectable rates. She also paints gorgeous florals and still lifes. Anyway, she has always “paint-journaled” her various world travels, choosing to capture scenes, people and experiences in watercolor renderings rather than through photographs or words (as
    nation products and maximize the revenues. But the companies involved in this practice are overlooking that they are burdening the patients both economically
    he rest of us mere mortals do). Twenty-five years later, she has a huge collection of travel journals, all hand-painted and hand-lettered.

    If I have the story properly recollected, it was shortly after she returned from a lengthy trip to California when she visited a publisher (on short notice) and inquired as to whether or not they might find some commercial v
    and physically. They need to rightly judge the benefits of the combination products and they have to even look at the risks involved when combining the produ
    lue of her handpainted travel journal of her trip criss-crossing the state. A short interview there was generously concluded with a book contract, and the rest, as they say, is history.

    I met Diana when Very California was hot off the press. I “got” her work…and its long-term potential…in a nanosecond. “Diana, you’ve got a real concept here. There’s not a city i
    ts. Some of the combination products were well accepted by physicians while others suffered. Companies involved in development of combination products are fi
    the world you couldn’t do.” Sure enough, that first book was followed by Very Charleston and the recent Very New Orleans, which was, coincidentally, being printed as New Orleans was literally sinking in the flood of the century. Thankfully, Diana’s book preserves the city perfectly.

    Diana and her work have taught me a lot about life in general, and about being
    ding difficulty in defining their combination products and facing various challenges from selecting a combination to marketing it.

    Following aspects would a
    an artist in particular. But they’ve also shed light on the process of parenthood. They have taught me, first of all, the value of recognizing innate giftedness early in a child’s life. And of fostering genius when it is first glimpsed. Diana’s parents get gold stars for doing that so generously. We all need to be on the lookout for flashes of genius in our own k
    dd to the challenges in developing combination products:

    Which markets to tap where the combination products can do fairly well?
    Which combination prod
    ds. And be willing to bring it to an honorable conclusion so that the rest of the world may benefit.

    Secondly, I learned that it usually really does take a couple decades—at least—to bring out true talent. That practice, practice, practice gets you to Carnegie Hall. And that it takes dozens of journaled trips to get you to publisher’s attention and best-seller s
    cts are meaningful and rational?
    Which therapeutic categories to select?
    Which Combinations can address unmet needs of the patients?
    Do combin
    atus. There is really hardly ever flash-in-the-pan success that’s worth writing—or reading—about. So don’t let your kids moan and groan about drills and workouts and practice….in whatever area in which they are currently working or struggling. It takes more years than we care to think about to finally “arrive.”

    Thirdly, serendipity happens. Diana confessed that
    tions increase the patient compliance?
    What would be the developing cost?
    How to tackle the risks encountered during combination product developmen
    she wasn’t thinking about publishing her journals into books at the time she was actually painting them. It wasn’t until much later that the inspiration struck her. The important thing was that she kept practicing her talent so that when the opportunity presented itself, she was ready to accept it and go for it. How many times have you seen the same thing happen
    t?

    As combination products don't fit into the traditional categories of drugs, medical devices, or biological products, the USFDA is in the process of devel
    ith others who have faced similar good fortune? As they say, there is no such thing as good luck; it’s just preparation meeting opportunity.

    Lastly, seeing Diana again reinforced how much I appreciate mingling with a humble spirit. Diana is Very Talented. But she is extremely humble about it. Hasn’t gone to her head. Or to her attitude. She’s quietly unassuming
    ping new procedures for reviewing their safety, efficacy and quality.

    Professional from academic institutions, pharmaceutical industries, health care indust
    bout it all…which is particularly refreshing in these days of obnoxious, celebrity-driven headline news about trivial baloney. (Do we really need to know day-by-day accounts of baby Suri Cruise?!?) It’s wonderful seeing someone of Diana’s talent and stature maintaining a low profile and an accurate sense of self.

    You may have a similar story of parental nurturin
    y and representatives from various regulatory agencies are working out to design the regulatory requirements for manufacture and sale of combination products
    g. Of grown-up success. Of being Very Talented. If so, I hope you take some of these observations to heart. Or perhaps you’ll use them as encouragement in addressing your own children’s needs. Of being attentive to flashes of brilliance. Or of unusual giftedness. Of extremes in the senses. Great visual acuity. Great kinesthetic awareness. Great sense of taste. Or
    .

    As there is an increasing trend of the combination products companies manufacturing such products should be able to tackle the problems involved in the de
    of touch. Gifts that can all be cultivated. That can be boosted with time or energy or money or teaching or mentoring.

    For we can all aspire to be Very Talented. And Very Wonderful, too. Just like Diana.

    A Quick Note

    Diana Gessler’s web site provides some of the best eye candy on earth. Go to: http://www.dian
    gessler.com Her books of course have special appeal if you have any connections to California, Charleston or New Orleans. They make perfect gifts!

    She also provides free tips and tricks of the journaling trade at: http://www.gellyroll.com/craft/journal/gessler/gessler.html


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